Asus4
A2 (1) · D3 (4) · A3 (1) · D4 (4) · E4 (5)
Asus4 is A, D and E (1, 4, 5) and Asus2 is A, B and E (1, 2, 5). A major is A, C#, E, so the third C# moves up to D or down to B.
A2 (1) · D3 (4) · A3 (1) · D4 (4) · E4 (5)
A2 (1) · D3 (4) · E3 (5) · A3 (1) · D4 (4) · E4 (5)
A2 (1) · D3 (4) · E3 (5) · A3 (1) · D4 (4)
Asus4 is A, D, E (1, 4, 5). A major is A, C#, E: the third C# is replaced by the fourth D. On the fretboard the third moves up a half step, C# to D.
× mute · ○ open · green root · terracotta other chord tones
Numbers show a suggested finger: 1 index · 2 middle · 3 ring · 4 pinky. A bar means one finger holds several strings.
The page opens on Asus4. Press Asus2 for the other suspended A, or A for the major triad; the switch rewrites the diagram, the written notes and the degrees together, and Hear plays recorded acoustic guitar.
Read as a chord symbol, an A sus chord is A's suspended chord, and there are two of them: Asus4, where D takes the third's place, and Asus2, where B does. A major gives up the C# in both cases, and the note that replaces it is the whole story.
Read as a sentence, a sus chord is any suspended chord in any key: a suspended chord guitar charts print as Csus2, Gsus4, Esus4 and so on. Both readings are in this page, because a search box cannot tell which one you meant. The shapes below cover the letter A; the family links at the bottom cover everything else.
The other spellings people type are a sus4 chord, a sus 4 chord, a sus 4 guitar chord and a suspended chord guitar. The first three are Asus4 with the number written apart from the letters, and the last one is usually the same question about a chart that already prints the symbol correctly.
X 0 0 2 3 0 is the classic Asus4: the A string and D string open, the G string fretted at the second fret for A, and the B string fretted at the third fret for D. If you already play A, X 0 2 2 2 0, you only move the B string up one fret, and the D that appears is the whole difference.
X 0 2 2 3 0 keeps the D string at the second fret for E and adds the D on top, which is fuller and slightly muddier; it reads A, E, A, D, E. 5 5 2 2 3 0 moves the same notes to the fifth fret with the root A as a bass note on the sixth string, and 5 5 2 2 3 X is that shape without the top string, which leaves the D on the B string as the highest note.
The two A shapes to hold beside these are A major, which has C# on the B string, and Asus2, which leaves that B string open for B. A, Asus2 and Asus4 are then three settings of one grip, and the string that changes is always the same one.
| Shape | Frets (low E to high E) | Sounding notes with degrees |
|---|---|---|
| Open position | X 0 0 2 3 0 | A2 (1) · D3 (4) · A3 (1) · D4 (4) · E4 (5) |
| Open strings with frets 2 to 5 | 5 5 2 2 3 0 | A2 (1) · D3 (4) · E3 (5) · A3 (1) · D4 (4) · E4 (5) |
| No open strings, frets 2 to 5 | 5 5 2 2 3 X | A2 (1) · D3 (4) · E3 (5) · A3 (1) · D4 (4) |
| Open position | X 0 2 2 3 0 | A2 (1) · E3 (5) · A3 (1) · D4 (4) · E4 (5) |
Most people who type a sus2 guitar chord or a sus2 chord want Asus2: A, B and E, with the major third left out and the second, B, in its place. On the guitar it is the A shape with the B string left open, which makes it the easiest of the three A chords to fret.
Asus2 appears in progressions that would otherwise be too settled, and it doubles as a softer A when the melody holds B or E. The two shapes in the table below are the open grip and its barre version; both hold the same three notes, and neither one is a substitute for Asus4, which uses D instead of B.
| Chord | Notes and degrees | Frets (low E to high E) | Sounding notes |
|---|---|---|---|
| Asus2, open | A, B, E (1, 2, 5) | X 0 2 2 0 0 | A2 E3 A3 B3 E4 |
| Asus2, barre | A, B, E (1, 2, 5) | 5 2 2 2 0 0 | A2 B2 E3 A3 B3 E4 |
| Asus4, open | A, D, E (1, 4, 5) | X 0 0 2 3 0 | A2 D3 A3 D4 E4 |
A, Asus4, A inside one bar is the same idea as the G version: the B string moves from the second fret to the third and back, and the D that appears is the fourth degree of A. Asus4 also works in front of A from the chords that lead to it in A major: D, Asus4, A and E, Asus4, A. The fourth is D, so a chord played over a bass A with D in it shares two notes with the D chord and two with the A chord.
Asus2 is used differently. Because it removes the third rather than raising it, it fits anywhere A major fits but sounds less certain: Asus2, E, F#m, D keeps the first chord open for a whole bar without leaving the key. Run A, Asus2, Asus4, A as a four-chord exercise and you have both suspensions and the major triad in one grip, which is the quickest way to hear what the third does.
Both readings are common. In a chord chart box, A sus is the note A with a suspended fourth or second. In a sentence, a sus chord means any suspended chord in any key, which is why a search for the phrase returns piano lessons and theory pages as well as guitar shapes. This page answers the letter A with shapes and the general question with links to the other roots.
The note that replaces the third decides it. Asus2 puts B between the root and the E, a whole step below the major third C#; Asus4 lifts that same C# a half step to D. Asus2 is the calmer of the two because B sits close to the root, while Asus4 pulls harder: D wants to move back to the major third C# or down to B.
For Asus4, hold the familiar A shape and move the B string from the second fret to the third: X 0 2 2 3 0. For Asus2, hold the same A shape and lift the finger off the B string entirely, leaving it open: X 0 2 2 0 0. Both are one-finger changes from A, and neither one needs a barre.
No. A7sus4 is A, D, E and G: the suspended fourth plus a flat seventh, four notes in all. Asus4 is the three-note chord on this page. A chart that prints A7sus4 wants the extra G, and the shape for it is different.
Neither, because the note that decides is missing. A major has C# and A minor has C; Asus4 has D instead, so it can sit over either chord without contradicting it. That is also why the same shape works in songs in A, in D and in E, where A appears as the fourth or the fifth chord.