Esus4
E2 (1) · A2 (4) · E3 (1) · A3 (4) · B3 (5) · E4 (1)
Esus4 is E, A and B — degrees 1, 4 and 5. E major is E, G# and B, so the third G# steps up a half step to A.
E2 (1) · A2 (4) · E3 (1) · A3 (4) · B3 (5) · E4 (1)
E2 (1) · A2 (4) · E3 (1) · B3 (5) · B3 (5) · E4 (1)
E2 (1) · A2 (4) · E3 (1) · A3 (4) · B3 (5) · A4 (4)
Esus4 is E, A, B (1, 4, 5). E major is E, G#, B: the third G# is replaced by the fourth A. On the fretboard the third moves up a half step, G# to A.
× mute · ○ open · green root · terracotta other chord tones
Numbers show a suggested finger: 1 index · 2 middle · 3 ring · 4 pinky. A bar means one finger holds several strings.
Esus4 is the panel this page starts on. Press Esus2 to hear the second take the fourth's place, or E to hear the major third come back; the diagram, the written notes and the degree under each string follow the button.
E major is E, G#, B and the third G# sits on the first fret of the G string. Esus4 moves that finger up one fret to the second, which turns G# into A and leaves the two open E strings, the open B string and the B on the A string exactly where they were. The chord keeps a perfect fourth over the root instead of a third.
People write it esus4 chord guitar or e sus4 guitar, and piano players look for e sus4 piano. The shorthand e sus 4 is the same chord again. In a chart, sus4 and a bare sus both mean the fourth: when a writer wants the second they have to write sus2.
Because the root is the lowest open string on the guitar, Esus4 rings as a full six-string chord in every shape on this page. That is unusual for a chord whose key signature is four sharps, and it is the reason Esus4 shows up in beginner songbooks beside E and A.
0 0 2 2 0 0 puts middle and ring fingers on the second fret of the D and G strings and lets the rest ring: E, A, E, A, B, E. 0 2 2 2 0 0 moves the A string to the second fret for B with one finger laid across the A, D and G strings, which trades the open A for a heavier bottom note.
0 0 2 4 0 0 keeps the open A string and moves the G string to the fourth fret, so the chord gains a second B and loses the A on that string. 0 0 2 2 0 5 puts a high A on the fifth fret of the top string, which is the version to use when the melody sits above the chord.
The two E shapes to compare with are Esus2, which reads 0 2 4 4 0 0 and holds F# instead of A, and plain E, which reads 0 2 2 1 0 0 and holds G# on the G string. The fretting hand barely moves between them, which is why E, Esus4 and Esus2 turn up together in one bar so often.
| Shape | Frets (low E to high E) | Sounding notes with degrees |
|---|---|---|
| Open position | 0 0 2 2 0 0 | E2 (1) · A2 (4) · E3 (1) · A3 (4) · B3 (5) · E4 (1) |
| Open strings with frets 2 to 4 | 0 0 2 4 0 0 | E2 (1) · A2 (4) · E3 (1) · B3 (5) · B3 (5) · E4 (1) |
| Open strings with frets 2 to 5 | 0 0 2 2 0 5 | E2 (1) · A2 (4) · E3 (1) · A3 (4) · B3 (5) · A4 (4) |
| Open position | 0 2 2 2 0 0 | E2 (1) · B2 (5) · E3 (1) · A3 (4) · B3 (5) · E4 (1) |
The keys are E, A and B. Play the E and the B as a fifth and put the A between them, and the chord has the same shape as the guitar voicing: a wide gap then a narrow one. If you want the fourth underneath instead, stack A, B and E with the E on top.
On the piano there is no open string to keep, so Esus4 is simply three keys. That makes it easy to move the chord under a melody, and it also means the voicing you choose decides how tense the chord sounds: the A close to the B is tighter than the A down next to the E.
Sounding notes of the keyboard voicing: E4 (1) · A4 (4) · B4 (5).
The three keys, written low to high: E4 A4 B4.
The plainest use is inside one bar of E: E, Esus4, E. The G string moves from the first fret to the second and back, and the rest of the chord keeps ringing, so it works as a hammer-on in almost any strumming pattern.
Esus4 also sits over the two chords that lead home in E: A, Esus4, E and B, Esus4, E. Over a B bass the three notes of Esus4 are also three of the four in B7sus4, which is B, E, F# and A, so the chord sounds at home there without the F# being played. In worship and rock charts the same shape is often held for a whole line while the bass walks, because the fourth keeps the phrase in the air.
As a delayed E. E, Esus4, E is the standard move, and the same suspension works over the fourth and fifth chords of the key: A, Esus4, E and B, Esus4, E. The chord holds notes that belong to both chords around it, so nothing sounds wrong while it waits; the release happens when the G# comes back.
Fret the second fret of the D and G strings with the middle and ring fingers and play every string open otherwise: 0 0 2 2 0 0. If you prefer one finger to two, lay the index finger flat across the second fret of the A, D and G strings for 0 2 2 2 0 0, which trades the open A for a B.
No, one fret on one string. E is 0 2 2 1 0 0 with G# on the first fret of the G string; Esus4 moves that note to the second fret, which is A. The other five strings are identical, so the two chords can be swapped inside a strum without lifting the hand.
In the piano section above: E, A and B, with the keys lit inside one octave and a Hear button that plays recorded piano samples. The letters match the guitar exactly, because a suspended fourth is defined by its notes, not by the instrument that plays them.
Not with these fingerings. All four rows use the open low E string, and drop D retunes that string to D; a capo moves every open string up with it. Both changes are fine musically, but the shapes have to be rebuilt, and the written notes would change with them.