GUITAR · C G C F A D
Drop C tuning
String 6 to string 1, low to high
Tap a string to hear its target note · frequencies in Hz
- From standard (E A D G B E): lower string 6 two whole steps, E→C; lower strings 5–1 one whole step each.
- From Drop D (D A D G B E): lower every string one whole step.
Drop C is Drop D lowered one whole step: the same shapes, every note two semitones lower. No sign-up; the notes above use A4 = 440 Hz.
Drop C chord workbench
C50 0 0 X X X
Drop C · C2 G2 C3 F3 A3 D4
| String | Fret | Note | Role |
|---|---|---|---|
| 6 | 0 | C2 | Root |
| 5 | 0 | G2 | 5th |
| 4 | 0 | C3 | Root |
| 3–1 | X | — | Muted |
What is checked: each fret is applied to C2–G2–C3–F3–A3–D4 and the resulting pitch classes must match the selected quality. Only the selected strings sound. These are exact-pitch references within fifteen frets, not promises about comfortable fingering.
Same shape, new name
Drop D shapes in Drop C
Keep your Drop D fingering; every chord name moves down a whole step.
| Fret code (6→1) | In Drop D | In Drop C | Drop C notes |
|---|---|---|---|
| 0 0 0 X X X | D5 | C5 | C2 G2 C3 |
| 2 2 2 X X X | E5 | D5 | D2 A2 D3 |
| 3 3 3 X X X | F5 | D#5 / Eb5 | D#2 A#2 D#3 |
| 5 5 5 X X X | G5 | F5 | F2 C3 F3 |
| 7 7 7 X X X | A5 | G5 | G2 D3 G3 |
| 0 0 0 2 X 2 | D | C | C2 G2 C3 G3 E4 |
| 0 0 0 X X 1 | Dm | Cm | C2 G2 C3 D#4 |
| 0 0 0 2 1 2 | D7 | C7 | C2 G2 C3 G3 A#3 E4 |
Neighbour tunings
Drop C vs Drop C# vs Drop D
| Tuning | 6 | 5 | 4 | 3 | 2 | 1 | From Drop D |
|---|---|---|---|---|---|---|---|
| Drop D | D2 | A2 | D3 | G3 | B3 | E4 | — |
| Drop C# (Drop D♭) | C#2 | G#2 | C#3 | F#3 | A#3 | D#4 | every string −1 semitone |
| Drop C | C2 | G2 | C3 | F3 | A3 | D4 | every string −2 semitones |
Compare the original shapes in Drop D chords.
Strings and set-up
Strings for Drop C
Why the low string feels loose
On the same string and scale length, tension follows the square of the pitch. String 6 drops four semitones, E2 to C2, so it keeps about 63% of its standard tension — roughly 37% less. Strings 5 to 1 each drop two semitones and keep about 79% — roughly 21% less. That is why a standard set can feel floppy or buzz in Drop C; a heavier set brings the tension back.
After retuning
Lower tension lets the neck relax a little. Tune all six strings again after a few minutes, because they settle. Compare each open string with its 12th-fret note to check intonation. If strings start to buzz or the action changes, the fix is a set-up — truss rod and intonation — done by a technician if you are unsure.
Drop C tuning questions
What are the notes of Drop C tuning?
From string 6 to string 1: C2, G2, C3, F3, A3, D4 — written C G C F A D.
How do I tune from standard to Drop C?
Lower string 6 by four semitones (E to C) and every other string by two semitones.
Is Drop C the same as C standard?
No. C standard is C F A# D# G C. Drop C is D standard (D G C F A D) with string 6 lowered one more whole step to C.
Can I play Drop D songs in Drop C?
Yes — same fingering, and every chord sounds a whole step lower (D5 becomes C5).
More tunings: DADGAD chords.