Change your guitar first
Use a tuner and bring the strings to D–A–D–F#–A–D, low to high. A standard-tuning guitar chord shape will not keep its usual chord name after the strings change.
GUITAR · D A D F# A D
Choose a shape, check every sounding note, and take a clean reference with you.
OPEN D CHORD LIBRARY
Open D · D2 A2 D3 F#3 A3 D4
Four strings differ from standard; this is not Drop D.
A root and quality choose one validated shape across all twelve roots. Fret codes run low to high; 0 means open and X means muted.
SELECTED SHAPE
Open D · 0 0 0 0 0 0
| String | Fret | Note | Role |
|---|---|---|---|
| 6 · D | O | D2 | Root |
| 5 · A | O | A2 | Perfect fifth |
| 4 · D | O | D3 | Root |
| 3 · F# | O | F#3 | Major third |
| 2 · A | O | A3 | Perfect fifth |
| 1 · D | O | D4 | Root |
What is checked: every listed fret is applied to the six open D pitches, then the resulting pitch classes and lowest note are checked against the chord name. Each selection shows one verified pitch set within the first fifteen frets; the diagram marks positions without prescribing fingerings or promising that every reach will feel comfortable.
HOW TO USE OPEN D
Open D tuning changes the guitar to D–A–D–F#–A–D. The six open strings already make a D major chord, so the zero-fret shape is a useful reference. The major shapes move that same interval pattern; most minor shapes lower the F# string by one fret to make the minor third. D minor mutes that open F# and frets the high D string instead.
For the suspended D–A–D–G–A–D layout, try DADGAD chords.
Open D is not Drop D. Drop D chords change only the lowest string to D and leave A–D–G–B–E in place. These chords in open D tuning assume that all six strings have the Open D pitches shown above. For the other open-major layout, compare the Open G tuning chords and its different bass note.
For a C major open strum, see Open C tuning chords.
Put a capo at fret 2 and these shapes sound the same notes as Open E tuning chords.
For these open D chords, read the six fret numbers from the thickest string to the thinnest. A zero rings open. Every note in the table is the actual sounding pitch after that fret is applied, including its octave.
0 0 0 0 0 0open strings
G5 5 5 5 5 5fret five
A7 7 7 7 7 7fret seven
Use a tuner and bring the strings to D–A–D–F#–A–D, low to high. A standard-tuning guitar chord shape will not keep its usual chord name after the strings change.
Play one string at a time before strumming. Open D gives the instrument a wide, ringing spread; check that the intended bass note stays clear.
A straight barre only makes major chords, because the major 3rd (F# in D) sits on string 3. For a minor or seventh chord, one or two strings have to move off the barre. The shapes below come from the chord tool above; tap a row to load it there.
| Chord | Frets (low → high) | Notes |
|---|---|---|
| 0 0 0 X 0 3 | D2 · A2 · D3 · A3 · F4 | |
| 2 2 2 1 2 2 | E2 · B2 · E3 · G3 · B3 · E4 | |
| 0 0 0 0 3 0 | D2 · A2 · D3 · F#3 · C4 · D4 | |
| 5 5 0 5 5 4 | G2 · D3 · D3 · B3 · D4 · F#4 |
COMMON QUESTIONS
They are guitar chord shapes calculated for D–A–D–F#–A–D. This page keeps that tuning fixed and shows the resulting notes, instead of reusing a standard-tuning diagram. Any chord can be played; the tool above finds a shape for each root and quality. Major chords are easiest: open strings give D, fret 5 gives G and fret 7 gives A.
No. The strings have different intervals, so standard-tuning fingerings can produce a different chord in open D. Use the fret code and the sounding-note table together.
Yes. Use Download chart for the selected SVG diagram or Download MIDI for one sustained four-beat chord using the same sounding notes. Hear shape uses sampled acoustic-guitar pitch playback for the written MIDI notes.
Lower strings 6, 2 and 1 by a whole step and string 3 by a half step, so the strings read D A D F# A D. The string chart above lists every string.